These works explore the presence of animals within human observation, memory, and surrounding space.

Rather than depicting animals as symbolic subjects, the paintings approach them as quiet living forms carrying instinct, tension, alertness, and coexistence with the human world.

Through fragmented forms, restrained color, and shifting spatial relationships, the boundaries between animal presence and human perception gradually become fluid.

In these works, animals exist not as narrative symbols, but as parallel forms of awareness — silent, instinctive, fragile, and continuously observant.