These works explore ordinary objects through memory, perception, silence, and spatial tension.

Rather than functioning as traditional still-life arrangements, the objects appear as isolated forms suspended between familiarity and distance.

Buckets, chairs, containers, fragments, and domestic forms gradually lose practical function and become quiet visual presences within empty and shifting spaces.

Through restrained color, fragmented composition, and spatial emptiness, the paintings approach objects not as static material forms, but as unstable states of presence and perception.